Architecture

Monuments as Worldmaking: The Limits of Breaking the Bronze Ceiling

Installation view of Wangechi Mutu’s The Seated I, (2019) on the steps of the Metropolitan Museum of Art in New York. Courtesy of the Artist and Gladstone Gallery, New York and Brussels. Photo by Bruce Schwarz.
Installation view of Wangechi Mutu’s The Seated I, (2019) on the steps of the Metropolitan Museum of Art in New York. Courtesy of the Artist and Gladstone Gallery, New York and Brussels. Photo by Bruce Schwarz.

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