The Brooklyn photographer explores the intersection of identity and environment, capturing raw, fleeting moments that might otherwise be overlooked.

The Brooklyn photographer explores the intersection of identity and environment, capturing raw, fleeting moments that might otherwise be overlooked.

WORDS

WORDS

DATE:

WORDS

DATE

SHARE

Twitter
LinkedIn
Facebook
Email

SHARE

Facebook
Twitter
LinkedIn
Email

Sabrina-Santiago-Photographer

AGE: 28
BASED IN: New York
NOMINATED BY: Justine Kurland

The throughline in a lot of my work, I would say, is environment. What are the environments we find ourselves in? One in particular I've been investigating is the street. Historically, women and people who looked like me weren't documenting public space and I feel like archives hold so much power and weight.

Street photography, over time, gives a sense of people and culture and place. I'm trying to show, from my point of view as an artist, whose stories are worth telling. All of my photos feel like self-portraits, because even if they're of other people, there is an inner reflection that's happening, whether we look similar or I feel like I haven't seen that person documented before on the street.

Memory is so fleeting and the photos are a prolongation of memory and time. I'm able to remember things I would never be able to remember, even if it's just the woman who just passed me on the street. I've probably walked [the Williamsburg Bridge] thousands and thousands of times. Certain streets remind me of photos I've taken in the past. I feel like we're always just passing past versions of ourselves.

Generic selectors
Exact matches only
Search in title
Search in content
Post Type Selectors

Not a Doomscroll. A Deep Dive.

Subscribe now for print that informs, inspires, and doesn’t get lost in the feed.

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

GET ACCESS

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c

Already a Subscriber? Sign in Here

Pop-Up-1_c

Already a Subscriber? Sign in Here

We have so much more to tell you.

You’ve reached your limit.

Sign up for a digital subscription, starting at less than $2 a week.

Already a Subscriber? Sign in Here

Want a seat at the table? To continue reading this article, sign up today.

Support independent criticism for $10/month (or just $110/year).

Already a subscriber? Log in.