Close Looks
How Cameron Rowland Became the Leading Land Artist of the 21st Century
As the ground shifts beneath us, Johanna Fateman writes about the radical practice of one of the most important artists working today.
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The Wow Factor: Brian Droitcour on Art and the Immersive Experience Industry
Our critic reflects on recent works by Mark Leckey and Cory Arcangel that speak in the language of immersion to engage critically—and optimistically—with crowd-pleasing high-tech wonders.
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The Critics' Table The Big Picture
Birth Scenes, a 70-Foot Sunflower, and Censorship: Our Critic on the Best (And Worst) Art of 2024
The Critics' Table The Big Picture Art
The Year in Art: Our Critic's Top 10 Moments
The Critics' Table The Big Picture Art
Make Art Great Again? A Response to the Nostalgia and Backlash in Dean Kissick’s Clickbait Manifesto
The Critics' Table The Big Picture Art
An Election Week Special: Our Critic on Gary Indiana’s New York and Nicole Eisenman’s “Fixed Crane”
The Critics' Table The Big Picture Art
Why Does So Much Art Right Now Look Like a Mess? Our Critic Investigates
The Critics' Table The Big Picture Art