Subjects stare straight down the lens in photos that bring us nearly too close for comfort.

Subjects stare straight down the lens in photos that bring us nearly too close for comfort.

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rosa-polin-photographer

AGE: 29
BASED IN: New York
NOMINATED BY: Elle Pérez

My first camera was a Nikon D60. I took it everywhere when I was 12. I like photography’s nebulous and middlebrow essence. It’s hard to pin down and I like how unruly and punk that feels. I try to use photography the same way I try to live the rest of my life. I am trying to find my voice. It’s all a big mixture of shame, curiosity, fear, playfulness, boredom, irony, sadness, lust, humor, and empathy.

There’s a book of drawings called Studies of the Female Form by Duncan Hannah that I’ve actually been in the process of reimagining for a few years. I make portraits inspired by specific illustrations. My images tend to end up moving in a different direction, but I love to look at that book for inspiration.

His style is so unapologetically fetish-y and vivid. The ‘studies’ seem so specific and archetypal at the same time. It feels psychological. There’s a mixture of equal parts realism and the uncanny, sexiness, awkwardness, tension, an off-putting sense of time, that I love to revisit over and over.

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