Documentation is a form of resilience for this rising artist.

Documentation is a form of resilience for this rising artist.

WORDS

WORDS

DATE:

SHARE

Twitter
LinkedIn
Facebook
Email

SHARE

Facebook
Twitter
LinkedIn
Email
rene-matic-artist

AGE: 27
BASED IN: London
NOMINATED BY: Tyler Mitchell

Asking me what it means to "make" photographs in 2024 feels the same as asking me what it means to be alive in 2024. I don’t believe that I make photographs. I experience the world as a series of images: images of resilience, resistance, romance, hate, home, pain… I then present those images back to the world so that it can experience me. That feels like taking a little bit of control over this complicated life in 2024.

I am drawn to images of intimacy. I find myself slipping into that a lot—or searching for it. My series "Flags for Countries That Don’t Exist But for Bodies That Do," 2018–23, is about that search—being at once inside and outside of everything and what saves us in the end. I am currently reading many things—from Naomi Klein to Val Wilmer, [Gayatri Chakravorty] Spivak, and the Bible. All these things influence my work because they help me understand the parts of myself I can’t articulate.

My favorite quote from one of my favorite books, Whatever Happened to Interracial Love? by Kathleen Collins, is, "What about the love of two human beings who mate in spite of or because of or instead of or after the fact of?" That quote reminds me to return to love no matter what. Don’t let them win, you know?

Generic selectors
Exact matches only
Search in title
Search in content
Post Type Selectors

Not a Doomscroll. A Deep Dive.

Subscribe now for print that informs, inspires, and doesn’t get lost in the feed.

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

GET ACCESS

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c

Already a Subscriber? Sign in Here

Pop-Up-1_c

Already a Subscriber? Sign in Here

We have so much more to tell you.

You’ve reached your limit.

Sign up for a digital subscription, starting at less than $2 a week.

Already a Subscriber? Sign in Here

Want a seat at the table? To continue reading this article, sign up today.

Support independent criticism for $10/month (or just $110/year).

Already a subscriber? Log in.