Guests joined the artist for a walkthrough of his first West Coast presentation ahead of Frieze Los Angeles.

Guests joined the artist for a walkthrough of his first West Coast presentation ahead of Frieze Los Angeles.

WORDS

WORDS

DATE:

SHARE

Twitter
LinkedIn
Facebook
Email

SHARE

Facebook
Twitter
LinkedIn
Email
max-lamb-designer
Max Lamb (left) at the presentation of his "Box 2" exhibition. Image courtesy of Kadeem Jackson TakeOutShop for Gallery FUMI.

Amazon boxes don’t typically end up on display in art galleries. But they take center stage this month at the stateside debut of London’s Gallery FUMI. For months, the British furniture designer Max Lamb swiped cardboard packaging from his neighbors’ bins to use as raw material for “Box 2,” his first presentation on the West Coast. This week at a private walkthrough at SIZED STUDIO, Gallery FUMI’s temporary LA home, guests took in what the castoffs had become: functional furniture. Lamb gave the single-use boxes, which made the trek from the artist’s studio outside London to southern California, one more life.

“The main principle here is to get rid of waste,” the designer said in an interview for CULTURED magazine’s latest issue. As guests streamed into the gallery for a celebratory evening hosted by Gallery FUMI, CULTURED, and digital marketplace Basic.Space, Lamb revealed his process, which involves binding the pliable cardboard with homemade flour-and-water paste.

max-lamb-designer
Image courtesy of Kadeem Jackson TakeOutShop for Gallery FUMI.

In attendance were a suite of art and design luminaries, including design curator and dealer Joel Chen and his design-dealer daughter Bianca Chen, furniture and lighting designer Charles De Lisle, interior designer Richard Petit, West Coast Architectural Digest editor Mayer Rus, interior designer Oliver Furth and brand strategist Sean Yashar, and interior designer Jamie Bush.

Once guests finished perusing the works on display, they migrated to the Dahlia Lounge at the Proper Hotel for dinner and conversation. Lamb wrote block-lettered place cards on (what else?) cardboard; the menu included citrus salad with beet puree, grilled branzino, and braised short rib. 

max-lamb-box-2-exhibition
Image courtesy of Kadeem Jackson TakeOutShop for Gallery FUMI.
max-lamb-box-2-exhibition
Image courtesy of Erik Benjamins for Gallery FUMI.
max-lamb-box-2-exhibition
Image courtesy of Kadeem Jackson TakeOutShop for Gallery FUMI.
max-lamb-box-2-exhibition
Image courtesy of Erik Benjamins for Gallery FUMI.

Lamb’s presentation is part of FUMI’s six-week pop-up in Los Angeles, timed to coincide with Frieze LA. The London-based gallery has taken over SIZED STUDIO, a 5,000-square-foot art and design hub in Melrose Hill. Alongside Lamb’s work, FUMI is showing examples of more than 20 artists, designers, and makers, including ceramicist Jeremy Anderson, sculptor Voukenas Petrides, and designer Saelia Aparicio.   

Central to Lamb’s designs—which include repurposed chairs, stools, and coffee tables (first seen in “Box” at Gallery FUMI in London last October)—is a commitment to highlighting, and perhaps extending, the life cycle of everyday objects. Invested in working within a set of constraints, he reveals just how much can be made from what we throw away. “The idea is that they grow old gracefully,” Lamb told CULTURED. “They mature, they wrinkle, maybe they get a bit grumpy, but they're still functional.”

Generic selectors
Exact matches only
Search in title
Search in content
Post Type Selectors

Not a Doomscroll. A Deep Dive.

Subscribe now for print that informs, inspires, and doesn’t get lost in the feed.

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

GET ACCESS

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c

Already a Subscriber? Sign in Here

Pop-Up-1_c

Already a Subscriber? Sign in Here

We have so much more to tell you.

You’ve reached your limit.

Sign up for a digital subscription, starting at less than $2 a week.

Already a Subscriber? Sign in Here

Want a seat at the table? To continue reading this article, sign up today.

Support independent criticism for $10/month (or just $110/year).

Already a subscriber? Log in.