Publishing is full of rankings, from power lists to best-dressed lists to under-40 lists. The CULT100 is different. There is just one criterion for inclusion—but it’s a high bar.
To qualify, a candidate must be actively shaping and changing our culture in real time. The people on this list represent five generations and hail from the worlds of food, publishing, art, fashion, activism, and entertainment. To put this group together, CULTURED‘s editors leveraged the full strength of our network, tapping artists, writers, and cultural leaders to tell us who they look to when they want to feel challenged, hopeful, and inspired.
Some members of the CULT100 are household names; others have been working behind the scenes to make possible the cultural encounters that stop us in our tracks. In a time of binary thinking, the creators featured in this year’s list are embracing contradiction, bouncing willfully between disciplines, and refusing to take no for an answer. They have guts, vision, and a potent cocktail of realism and optimism. None of them is shying away from the anxiety of our moment. Instead, they are thinking big, sharing generously, and embodying courage. The good news is, their work makes us all a little bit braver, too.
What’s one book, work of art, album, or film that got you through an important moment in your life?
I always thought people behaved like aliens. Then the revelatory film Men in Black came along and helped me realize how true that really is.
When you were little, what were you known for?
I was really good at making art. Adolph Gottlieb gave me a gold medal for a painting I did in 1966. It was a series of martini glasses that were cracked and split and glued onto a canvas.
“I always thought people behaved like aliens. Then the revelatory film 'Men in Black' came along and helped me realize how true that really is.”
Name an influence of yours that might surprise people.
Alice Stern taught me everything about French 19th-century ceramics and bronzes. Some people know, but most are surprised, that I have a collection of Théodore Deck, Ernest Chaplet, Adrien Dalpayrat, and Auguste Delaherche works.
What do you want to see more of in your industry? Less of?
I’d like to see more public appreciation for the complexity of designing buildings. And I’d like to see less fake intellectualizing and analyzing visual beauty.