Publishing is full of rankings, from power lists to best-dressed lists to under-40 lists. The CULT100 is different. There is just one criterion for inclusion—but it’s a high bar.
To qualify, a candidate must be actively shaping and changing our culture in real time. The people on this list represent five generations and hail from the worlds of food, publishing, art, fashion, activism, and entertainment. To put this group together, CULTURED‘s editors leveraged the full strength of our network, tapping artists, writers, and cultural leaders to tell us who they look to when they want to feel challenged, hopeful, and inspired.
Some members of the CULT100 are household names; others have been working behind the scenes to make possible the cultural encounters that stop us in our tracks. In a time of binary thinking, the creators featured in this year’s list are embracing contradiction, bouncing willfully between disciplines, and refusing to take no for an answer. They have guts, vision, and a potent cocktail of realism and optimism. None of them is shying away from the anxiety of our moment. Instead, they are thinking big, sharing generously, and embodying courage. The good news is, their work makes us all a little bit braver, too.
WHO DO YOU CALL THE MOST?
My therapist. I vastly prefer therapy over the phone—it recalls the old psychoanalytic model where you can’t see the analyst. It lets me go for a walk or do errands, which puts me off guard in a good way.
WHAT’S ONE BOOK, WORK OF ART, ALBUM, OR FILM THAT GOT YOU THROUGH AN IMPORTANT MOMENT IN YOUR LIFE?
The Velveteen Rabbit. Little intellectual gem. People think it’s this charming story about how love makes you real—it isn’t. It’s about how love destroys you, and the destruction prepares you to bring out the reality in yourself. Becoming real is a kind of grieving process. It saved my life during a very dark period.
WHAT IS YOUR CALLING CARD?
The devastating remark, or so I’m told.
“I’m very lucky to have one of those ‘aughts romcom’-style staff positions at a print magazine; they barely exist anymore.”
HOW WOULD YOU DESCRIBE YOURSELF?
Nice.
WHAT DO YOU WANT TO SEE MORE OF IN YOUR INDUSTRY?
Unionization. Freelancers getting paid more and on time. I’m very lucky to have one of those “aughts rom-com”-style staff positions at a print magazine; they barely exist anymore. Also, leadership having a fucking spine. The crackdown on writers and editors who oppose Israel’s genocide in Gaza has been a historic travesty.