The founder of 52 Walker is bringing her artist-whispering abilities and curatorial savvy to David Zwirner's global enterprise.

DATE

SHARE

Twitter
LinkedIn
Facebook
Email
Ebony L. Haynes 52 Walker gallerist
Photography by Will Ragozzino and courtesy of 52 Walker.

Haynes helped turn Tribeca into New York’s most exciting gallery district with 52 Walker, the downtown spinoff of David Zwirner she opened in 2021. Now, she’s global head of curatorial projects for the mega-gallery’s broader network—and is staying committed to ambitious, often impractical shows.

What keeps you up at night?

That if I fall asleep right now, I’ll get seven hours of sleep… And if I fall asleep now, I’ll get six and a half hours of sleep… If I can fall asleep immediately, I could get a solid four hours of sleep.

What would you be doing if you weren’t working in your field?

When I was younger I dreamed of being A&R (artist and repertoire) for a major record label (back when A&R was still a real job) and I would hope that I would be working in the music industry in some capacity. I realize now that I’m sort of an A&R for the art world.

What would you like the headline of your obituary to be?

“Real Gs Move in Silence Like Lasagna.”

What’s something people get wrong about you?

When people ask me how I’d like my coffee and I say “cream and sugar,” they never put enough cream or sugar. I like it light and sweet and it has to be full-fat cream and white sugar.

What’s one work of art that got you through an important moment in your life?

John Waters‘s Hairspray, 1988, got me through many moments in my life.

What would you wear to meet your greatest enemy?

An exact replica of the suit George Clooney wore as Michael Clayton.

What are you looking forward to this year?

Koyo Kouoh‘s Venice Biennale.

Name an influence of yours that might surprise people?

Rick Rubin.

Where do you feel most at home?

In Tobago.

 

To read more from the 2026 CULT100 honorees, see the full list here.

Related Stories

Keke Palmer

You’ve reached your limit.

Sign up for a digital subscription, starting at less than $3 a week.

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complimentary articles. For expanded access, become a digital subscriber for less than $3 a week.

Carey Mulligan

Already a Subscriber? Sign in Here

Carey Mulligan

GET ACCESS

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Conner Storrie standing on a street
Already a Subscriber? Sign in Here
Conner Storrie standing on a street

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Conner Storrie standing on a street
Already a Subscriber? Sign in Here
Conner Storrie standing on a street

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complimentary articles. For expanded access, become a digital subscriber for less than $3 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Conner Storrie standing on a street

Already a Subscriber? Sign in Here

Conner Storrie standing on a street

Already a Subscriber? Sign in Here

Want a seat at the table? To continue reading this article, sign up today.

Support independent criticism for $10/month (or just $110/year).

Already a subscriber? Log in.