
Berlin doesn’t do subtle—and for its 30th anniversary, Hamburger Bahnhof soared to new heights with “A Night in Berlin,” convening 500-plus cultural power players for a look at the institution’s next 30 years. The evening also launched four new awards: the Studio Award to artists Abdulhamid Kircher, Monilola Olayemi Ilupeju, and Jonas Roßmeißl; the Lifetime Achievement Award to artist Mona Hatoum; the Global Arts Patronage Award to collector Kiran Nadar; and the Changemaker Award to arts nonprofit the Delfina Foundation.
The Occasion: The first-ever benefit gala for Hamburger Bahnhof, kicking off a yearlong 30th anniversary program that will include eight exhibitions, a Chanel commission, and an anniversary weekend in November featuring a continuous 30-hour public opening.
The Scene: A landmark benefit buzzing with activations throughout the space. The evening’s schedule unfolded across several acts inside the museum’s 2,500-square-meter hall with performances, spatial installations, and the presentation of the four awards.

The Crowd: More than 500 cultural leaders across art, film, music, fashion, and philanthropy joined in the revelry, including arts leaders Frances Morris, Aaron Cezar, Füsun Eczacıbaşı, and Glenn Lowry; actor Cate Blanchett; patrons Monique Burger, Christine Würfel-Stauss, and Kiran Nadar; artists Mona Hatoum, Abdulhamid Kircher, Monilola Olayemi Ilupeju, Jonas Roßmeißl, and Katharina Grosse; and Hamburger Bahnhof co-directors Sam Bardaouil and Till Fellrath.
The Locale: Hamburger Bahnhof’s historic hall—a monumental former train station turned temple of contemporary art—packed with tables, artist activations, and a red neon sculpture by Monica Bonvicini that read, “Own Your Own Desire.”

The Entertainment: Pianist Alice Sara Ott delivered a solo performance of a Ryuichi Sakamoto piece before members of the Berliner Philharmoniker and Staatsoper Unter den Linden joined musician Ellen Allien in a genre-defying set that placed the venue somewhere between concert hall and club.
Memorable Moment: Artist duo Elmgreen & Dragset’s site-specific work flipped traditional gala choreography on its head. One hundred performers, seated as “audience members” in a staged opera house, watched the real guests become the spectacle as the evening transformed into a living performance piece.
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