All eyes were on Jonathan Anderson’s first Dior offering this year. The notorious world-builder brought fresh if subtle changes to the storied house, marrying Dior’s heft with his own reverence for and experimentation with craft.

DATE

SHARE

Twitter
LinkedIn
Facebook
Email
Still life by Heikki Kaski, all photography courtesy of Dior
Still life by Heikki Kaski. All photography courtesy of Dior.

Jonathan Anderson is a bright spot in what can often feel like bleak sartorial terrain. With his Dior debut last June, the Northern Irish designer—a cherished master of the unpredictable and agent of the absurd—left a nuanced yet unmistakable mark with a Men’s Spring/Summer 2026 collection that riffs on French history while filtering in his own trademark gestures: painstaking handiwork and a reverence for craft. For CULTURED, the house pulls back the curtain on the collection, identifying the themes that thread their way through garments and accessories alike.

A Cascade of Tassels

Photography by MaxCornwall
Photography by Max Cornwall.

Anderson’s reimagining of the iconic Lady Dior bag involved a collaboration with textile artist Sheila Hicks, who covered the bag with “a nest of ponytails.” The unusual appliqué transforms accessory into art object. Here, delight transcends the binary—men streamed down the Dior runway in June with the bag in the crooks of their arms.

Brandebourg Detailing

Photography by Luna Conte
Photography by Luna Conte.

The designer returns time and again to the Brandebourg style, distinguished by its oval fastenings and its burnished, formal quality. The tassels, hardware, and braided details take as much as 120 hours for Dior’s craftspeople to complete.

Literary Tributes

Heikki Kaski.
Photography by Heikki Kaski.

In the Anderson extended universe, cinematic and literary figures are as central as his own fashion forebears. He gave the iconic Book Tote a refresh, covering the cotton and calfskin bags with details derived from several popular tomes. One standout is a highlighter-yellow design embroidered with “Dracula by Bram Stoker.” Others nod to James Joyce’s Ulysses and Charles Baudelaire’s Les Fleurs du Mal, pairing the designer’s Irish heritage with Dior’s French roots.

A Revolutionary Flourish

Photography by Luna Conte
Photography by Luna Conte.

In another nod to historical dress, Anderson envisioned waistcoats and cravats updated with sumptuous details, like metallic embroidery and seed pearls laced into minute floral designs. The raiment synthesizes the designer’s signature clash—elegant yet irreverent.

Painstaking Craftsmanship

Photography by Sophie Carre
Photography by Sophie Carré.

Dior’s Paris atelier spends 3,271 hours embroidering just one coat. Metallic thread is sewn onto the face of a houndstooth garment to create a glinting, etched effect. Such designs are only possible with the luxury of unlimited time—something that situates Anderson’s runway fare closer to the realm of haute couture.

Sculptural Silhouettes

Photography by Luna Conte
Photography by Luna Conte. 

Anderson unleashed his love of structure on the Men’s Spring/Summer 2026 collection. Fabrics fold back on themselves to create origami-like shapes that billow from the hips. These offerings bring together the robust silhouettes that dot Dior’s archive with the fluid designs that characterize modern tailoring in an easy marriage.

Reimagined Heritage

Photography by Luna Conte
Photography by Luna Conte.

A Dior cape reminiscent of the house’s ’60s stylings made an appearance in the new collection. Anderson incorporated a signature check, emblematic of the house’s codes, and draped the dramatic piece over slim-fit trousers and boots for an anachronistic feel.

Your Reservation Has Been Confirmed

Take a seat at the Critics’ Table and get independent criticism delivered to your inbox weekly.

You’ve almost hit your limit.

You’re approaching your limit of complimentary articles. For expanded access, become a digital subscriber for less than $2 a week.
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

GET ACCESS

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complimentary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

This is a Critics' Table subscriber exclusive.

Subscribe to keep reading and support independent art criticism.

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c

Already a Subscriber? Sign in Here

Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve reached your limit.

Sign up for a digital subscription, starting at less than $2 a week.

Already a Subscriber? Sign in Here

Want a seat at the table? To continue reading this article, sign up today.

Support independent criticism for $10/month (or just $110/year).

Already a subscriber? Log in.