The esteemed museum director is paying the honor forward to local news and programming outlets in the midst of public funding cutbacks.

DATE

SHARE

Twitter
LinkedIn
Facebook
Email
kd-lang
K.D. Lang, Ann Philbin, Charles Gaines, and Roxana Landaverde at the Getty Prize Dinner at Getty Center. All photography by Ryan Miller/Getty Images for the J. Paul Getty Trust.

Last night, Los Angeles saw a coterie of guests come together to raise a toast in honor of Ann Philbin, this year’s recipient of the Getty Prize from the J. Paul Getty Trust, awarded annually to leaders in the cultural fields. 

The Occasion: Ann Philbin served for 25 years as director of the Hammer Museum at UCLA, contributing greatly to the Los Angeles art scene with her dedication to free, accessible programming and the launch of programs like the Hammer Projects, which spotlights rising creatives. For the prize’s accompanying $500,000 pay-it-forward grant, she selected NPR, KCRW, and LAist to receive critical funding. 

The Scene: The evening opened with a cocktail reception, with guests mingling over lively conversation and a DJ set by KCRW, before sitting down for dinner. There, Getty Board Chair Rob Lovelace delivered welcome remarks and brought Philbin to the stage, who told the audience, “I do believe we are facing the most pressing issue of our time—the protection of freedom of speech, freedom of the press, and the first amendment … Our local public stations are the soundtrack of the city [with their] cultural programming and stories, the killer music sets, the news from around the world from voices that we trust.”

The Crowd: A gathering of both Philbin’s friends and peers filled the room, including the likes of artists Lita Albuquerque, Lauren Halsey, Betye Saar, Alison Saar, Charles Gaines, Doug Aitken, Sanford Biggers, and Mercedes Dorame; philanthropists Edythe Broad, Nicolas Berggruen, and Susan Bay Nimoy; LA Commons Founder Karen Mack; interior designer Michael S. Smith; and museum directors Zoë Ryan, Karen R. Lawrence, Joanne Heyler, and Michael Govan. 

Cause for FOMO: As public programming and freedom of speech are under fire Stateside, NPR CEO and President Katherine Maher offered attendees a look at the future of the staple station, saying, “Americans know public radio for news, but we have another founding purpose—to provide access, inspiration, discovery, and delight through freely available cultural programming … Public radio’s strength has always been about the way we connect to our communities and the way our communities connect to us, and there is literally no greater recognition than when the community chooses to give back.”

michael-govan
Michael Govan, Lauren Halsey, Monique McWilliams, and Joanne Heyler
alison-saar
Alison Saar and Betye Saar
lita-albuquerque
Lita Albuquerque and Ann Philbin
rob-lovelace
Rob Lovelace, Ann Philbin, and Katherine E. Fleming
doug-aitken
Doug Aitken and Sandra Jackson-Dumont
getty-image-prize

We’ve Waited All Year For This…

Our 10th annual Young Artist list is here, comprised of 27 names you need to know ahead of 2026.

You’ve almost hit your limit.

You’re approaching your limit of complimentary articles. For expanded access, become a digital subscriber for less than $2 a week.
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

GET ACCESS

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complimentary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

This is a Critics' Table subscriber exclusive.

Subscribe to keep reading and support independent art criticism.

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c

Already a Subscriber? Sign in Here

Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve reached your limit.

Sign up for a digital subscription, starting at less than $2 a week.

Already a Subscriber? Sign in Here

Want a seat at the table? To continue reading this article, sign up today.

Support independent criticism for $10/month (or just $110/year).

Already a subscriber? Log in.