DATE

SHARE

Twitter
LinkedIn
Facebook
Email

leander-capuzzo-photographer

AGE: 29
BASED IN: New York 
NOMINATED BY: Richard Kern 

I’m looking for decisive moments (Henri Cartier-Bresson reference here). Obviously, what that looks like in today's world has changed. People are now shielded behind layers of self-awareness using irony and detachments to protect themselves from constantly being imaged and recorded, maybe by a ring camera, an iPhone, a gotcha moment is always seconds away.

When I take pictures of people, there is a sort of agreement between me and the subject to take some of these protective layers away and allow a different type of moment to happen. You have the marks that technology leaves on images. This is something like a fingerprint that marks your position in time in a pretty inescapable way, which I think is very cool.

I am very wary of using older technology when making images. I want to remove nostalgia from the equation as much as possible. I believe it clouds judgment and is a pretty basic experience to provide and actually gets in the way 90 percent of the time. I’m looking for something that's less guarded. I hope to learn something about how identity and self is constructed and maintained.

Give the Gift of Culture.

Looking for a gift that lasts beyond the holidays? A CULTURED subscription delivers art, design, fashion, and culture year-round—in print and online.

You’ve almost hit your limit.

You’re approaching your limit of complimentary articles. For expanded access, become a digital subscriber for less than $2 a week.
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

GET ACCESS

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complimentary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

This is a Critics' Table subscriber exclusive.

Subscribe to keep reading and support independent art criticism.

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c

Already a Subscriber? Sign in Here

Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve reached your limit.

Sign up for a digital subscription, starting at less than $2 a week.

Already a Subscriber? Sign in Here

Want a seat at the table? To continue reading this article, sign up today.

Support independent criticism for $10/month (or just $110/year).

Already a subscriber? Log in.