The Berlin art world gathered for a jamboree packed with awards, stage-driven theatrics, and a techno set from musician Ellen Allien.

DATE

SHARE

Twitter
LinkedIn
Facebook
Email
Jonas Roßmeißl, Gabriele Knapstein, Füsun Eczacıbası, Aaron Cezar, Monilola Olayemi Ilupeju, Glenn Lowry, Kiran Nadar, Ayoung Kim, Mona Hatoum, and Abdulhamid Kircher pose for a portrait at the Hamburger Banhof gala
Jonas Roßmeißl, Gabriele Knapstein, Füsun Eczacıbaşı, Aaron Cezar, Monilola Olayemi Ilupeju, Glenn Lowry, Kiran Nadar, Ayoung Kim, Mona Hatoum, and Abdulhamid Kircher. All images courtesy of Hamburger Bahnhof.

Berlin doesn’t do subtle—and for its 30th anniversary, Hamburger Bahnhof soared to new heights with “A Night in Berlin,” convening 500-plus cultural power players for a look at the institution’s next 30 years. The evening also launched four new awards: the Studio Award to artists Abdulhamid Kircher, Monilola Olayemi Ilupeju, and Jonas Roßmeißl; the Lifetime Achievement Award to artist Mona Hatoum; the Global Arts Patronage Award to collector Kiran Nadar; and the Changemaker Award to arts nonprofit the Delfina Foundation.

The Occasion: The first-ever benefit gala for Hamburger Bahnhof, kicking off a yearlong 30th anniversary program that will include eight exhibitions, a Chanel commission, and an anniversary weekend in November featuring a continuous 30-hour public opening.

The Scene: A landmark benefit buzzing with activations throughout the space. The evening’s schedule unfolded across several acts inside the museum’s 2,500-square-meter hall with performances, spatial installations, and the presentation of the four awards.

Cate Blanchett offers remarks at the first annual Hamburger Banhof gala
Cate Blanchett presenting at Hamburger Bahnhof.

The Crowd: More than 500 cultural leaders across art, film, music, fashion, and philanthropy joined in the revelry, including arts leaders Frances Morris, Aaron Cezar, Füsun Eczacıbaşı, and Glenn Lowry; actor Cate Blanchett; patrons Monique Burger, Christine Würfel-Stauss, and Kiran Nadar; artists Mona Hatoum, Abdulhamid Kircher, Monilola Olayemi Ilupeju, Jonas Roßmeißl, and Katharina Grosse; and Hamburger Bahnhof co-directors Sam Bardaouil and Till Fellrath.

The Locale: Hamburger Bahnhof’s historic hall—a monumental former train station turned temple of contemporary art—packed with tables, artist activations, and a red neon sculpture by Monica Bonvicini that read, “Own Your Own Desire.”

Alice Sara Ott performs at the first annual Hamburger Banhoff gala, with light shining down and guests gathered to witness the performance
Alice Sara Ott performing at the gala.

The Entertainment: Pianist Alice Sara Ott delivered a solo performance of a Ryuichi Sakamoto piece before members of the Berliner Philharmoniker and Staatsoper Unter den Linden joined musician Ellen Allien in a genre-defying set that placed the venue somewhere between concert hall and club.

Memorable Moment: Artist duo Elmgreen & Dragset’s site-specific work flipped traditional gala choreography on its head. One hundred performers, seated as “audience members” in a staged opera house, watched the real guests become the spectacle as the evening transformed into a living performance piece.

 

More of our favorite stories from CULTURED

Our Critic’s Favorite Show This Month Is Hidden in a Subway Station

Take an Exclusive Look at Lauren Halsey’s New LA Sculpture Park, ‘Where You Don’t Have to Pay to Play’

There’s a Head-Spinning Number of -Iennials This Year. 7 Curators Reveal How to Make the Most of Them.

James Cahill Saw the Best and Worst of the Art World. His Latest Novel Exposes It All.

If We’re in the Golden Age of Documentaries, Why Are All These Documentarians So Worried?

Sign up for our newsletter here to get these stories direct to your inbox.

You’ve reached your limit.

Sign up for a digital subscription, starting at less than $3 a week.

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complimentary articles. For expanded access, become a digital subscriber for less than $3 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

GET ACCESS

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Conner Storrie standing on a street
Already a Subscriber? Sign in Here
Conner Storrie standing on a street

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Conner Storrie standing on a street
Already a Subscriber? Sign in Here
Conner Storrie standing on a street

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complimentary articles. For expanded access, become a digital subscriber for less than $3 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Conner Storrie standing on a street

Already a Subscriber? Sign in Here

Conner Storrie standing on a street

Already a Subscriber? Sign in Here

Want a seat at the table? To continue reading this article, sign up today.

Support independent criticism for $10/month (or just $110/year).

Already a subscriber? Log in.