Bathtubs and watches once had little in common. Then, Louis Cartier came along.

WORDS

DATE

SHARE

Twitter
LinkedIn
Facebook
Email
Catherine Deneuve wearing a Cartier Baignoire in Cannes, 1965, photography courtesy of Reporters Associes and Getty Images
Catherine Deneuve wearing a Cartier Baignoire in Cannes, 1965. Photography courtesy of Reporters Associes and Getty Images.

In 1912, Louis Cartier—the grandson of the jewelry house’s founder, Louis-François, who had died eight years prior—introduced a small tweak with a radical impact: an oval watch silhouette. By 1973, that elongated design had evolved into the current Cartier Baignoire and earned a cult following for its rejection of the circular standard. Its name, which translates to “bathtub,” played no small role in the timepiece’s soft power triumph. Bathtubs and watches were once deemed incongruous, too.

When Cartier reintroduced the Baignoire in 2023, it went from an insider’s favorite to a widely sought-after piece, boosted in part by its ability to be effortlessly stacked with other Cartier jewelry. This November, the house released yet another version with two designs: an 18k white gold iteration and a mini design in 18k yellow gold, sprinkled with “à pois” diamonds.

The former is almost completely covered in diamonds (647, to be exact, which take more than eight hours to set). The mini—with its inviting façade and curved sinews—is lined with 29 brilliant-cut diamonds on the face, while 46 more of the precious stones are sprinkled along the bangle. Underneath the sparkling outer layer lies formidable craftsmanship—diamond settings carved flush with the metal before placement.

The mechanics are equally precise. A quartz movement powers sword-shaped steel hands, ticking against a dial protected by curved sapphire glass. The clasp is an exercise in subtlety, integrated into the bangle at six o’clock for a seamless finish. Like its namesake, the Baignoire is no necessity—it’s a delight.

Give the Gift of Culture.

Looking for a gift that lasts beyond the holidays? A CULTURED subscription delivers art, design, fashion, and culture year-round—in print and online.

You’ve almost hit your limit.

You’re approaching your limit of complimentary articles. For expanded access, become a digital subscriber for less than $2 a week.
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

GET ACCESS

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complimentary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

This is a Critics' Table subscriber exclusive.

Subscribe to keep reading and support independent art criticism.

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c

Already a Subscriber? Sign in Here

Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve reached your limit.

Sign up for a digital subscription, starting at less than $2 a week.

Already a Subscriber? Sign in Here

Want a seat at the table? To continue reading this article, sign up today.

Support independent criticism for $10/month (or just $110/year).

Already a subscriber? Log in.