DATE

SHARE

Twitter
LinkedIn
Facebook
Email

Men with Grapes (2018), silkscreen print, 12 1/8 x 16 5/8 in, Edition of 15 + 5 AP. Courtesy CANADA and Gordon Robichaux, NY.
Men with Grapes (2018), silkscreen print, 12 1/8 x 16 5/8 in, Edition of 15 + 5 AP. Courtesy CANADA and Gordon Robichaux, NY.

Unbeknownst to much of the art world, ceramicist and painter Elisabeth Kley and downtown drag star and artist Tabboo! have been friends and collaborators for more than a decade. The two teamed up for a show at Gordon Robichaux this fall and Kley offers an exclusive print for the latest Cultured Commission.

“I spend hours in museums obsessively photographing anything I might use. When I get back to work after an epic trip—like the one I took last year to Rome and Naples—I begin by making drawings from the photos that catch my eye and then move the motifs into ceramics and wall paintings. I’ve found inspiration in sources including Coptic and Islamic textiles, Fortuny and Wiener Werkstätte design and South Pacific tapa cloth. Right now, I’m concentrating on Greece and Rome, mixed in with ancient Egypt. Men with Grapes is based on an image of a grape arbor on the shoulder of a vessel in the National Etruscan Museum in Rome. I’ll be painting a whole room for my two-person show with Tabboo! at Gordon Robichaux this fall—maybe I will put a similar border of grapes and leaves up near the ceiling. Last spring I saw a wonderful show about the influence of antiquity on Léon Bakst and the Ballet Russes. I like to think I’m contributing to that lineage.” —Elisabeth Kley

Elisabeth Kley’s Cultured Commission is available for purchase on 1stdibs.

 

We’ve Waited All Year For This…

Our 10th annual Young Artist list is here, comprised of 27 names you need to know ahead of 2026.

You’ve almost hit your limit.

You’re approaching your limit of complimentary articles. For expanded access, become a digital subscriber for less than $2 a week.
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

GET ACCESS

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complimentary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

This is a Critics' Table subscriber exclusive.

Subscribe to keep reading and support independent art criticism.

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c

Already a Subscriber? Sign in Here

Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve reached your limit.

Sign up for a digital subscription, starting at less than $2 a week.

Already a Subscriber? Sign in Here

Want a seat at the table? To continue reading this article, sign up today.

Support independent criticism for $10/month (or just $110/year).

Already a subscriber? Log in.