This year, Bottega Veneta celebrates the 50th anniversary of Intrecciato, the woven innovation that became its calling card. A quiet revolution in craft, it’s a testament to the latitude it takes to become—and stay—an icon.

DATE

SHARE

Twitter
LinkedIn
Facebook
Email
The Bottega Veneta Andiamo resting atop a woven mat
The Bottega Veneta Andiamo.

Intrecciato, the woven leather technique that’s become synonymous with Bottega Veneta, wasn’t developed to make a statement, but to provide a solution. Introduced by the Italian house in 1975, the weave’s subtle shift from horizontal to diagonal allowed for leather pieces—wallets, bags—to be both supple and sturdy. Over the decades, the technique—pronounced “in-treh-chah-toh” for the uninitiated—has become a quiet revolution in craft.

When Michele Taddei and Renzo Zengiaro, the house’s founders, began crafting luxury leather goods in 1966, sewing machines were no match for dense animal hide. The Veneto region’s local artisans devised a method as intricate as it was innovative: weaving slender strips of leather, known as fettucce, into a perforated base. Rooted in leatherworking traditions native to Vicenza, where the house’s main atelier is located, the novel technique brought unprecedented malleability to calfskin and lambskin—and a timeless calling card to a nascent brand.

The Bottega Veneta Tosca

Taddei and Zengiaro knew the pattern would leave a more memorable impression than any logo, giving rise to Bottega Veneta’s credo: “When your own initials are enough.” This understated elegance reached new heights in the crook of Lauren Hutton’s arm: An oxblood Intrecciato clutch appeared tucked in the billows of her trench coat in the 1980 film American Gigolo, and the house’s vision quickly transcended its home country’s borders to achieve zeitgeist status.

At 50, the method is as iconic as ever, as evidenced by Bottega’s new “Craft Is Our Language” campaign, shot by Jack Davison and centering the hand gestures of cultural architects like Julianne Moore, Zadie Smith, Dario Argento, and, of course, Hutton. A-lister buzz aside, at the house’s atelier, Intrecciato weaving is preserved as a meditative technique largely untampered with by modern efficiencies—each piece is completed over hours, sometimes days, as fettucce are threaded together. Wallets, bags, and shoes now accompany collectible sculptural furnishings and home objects, but Intrecciato never strays too far from its roots. Its structure is a master class in both restraint and durability, a testament to Bottega Veneta’s commitment to slow fashion and generational wear—a beacon of timeless design, and proof that some things are meant to last.

bottega-veneta-dust-bag
The Bottega Veneta Dust Bag
bottega-veneta-andiamo
The Bottega Veneta Andiamo
bottega-veneta-knot-clutch
The Bottega Veneta Knot Clutch
bottega-veneta-dust-bag
The Bottega Veneta Dust Bag
bottega-veneta-andiamo-clutch
The Bottega Veneta Andiamo Clutch

We’ve Waited All Year For This…

Our 10th annual Young Artist list is here, comprised of 27 names you need to know ahead of 2026.

You’ve almost hit your limit.

You’re approaching your limit of complimentary articles. For expanded access, become a digital subscriber for less than $2 a week.
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

GET ACCESS

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complimentary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

This is a Critics' Table subscriber exclusive.

Subscribe to keep reading and support independent art criticism.

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c

Already a Subscriber? Sign in Here

Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve reached your limit.

Sign up for a digital subscription, starting at less than $2 a week.

Already a Subscriber? Sign in Here

Want a seat at the table? To continue reading this article, sign up today.

Support independent criticism for $10/month (or just $110/year).

Already a subscriber? Log in.