​Curating an art collection is a lot like making an album: The best are deliciously eclectic. At 23, Liam Lis has a (short) life’s worth of experience with both.

As a teen, while most people were dealing with pimples and P.E., the New York native was touring alongside Fifth Harmony and Zendaya. Now, he’s working behind the scenes as the founder of ItyBell Productions and to match, joining his family in building their private collecting practice. Growing up, Lis’s parents brought him to the city’s world-class museums and art fairs, introducing him to modern European schools, avant-garde experimentalists, and contemporary auteurs alike.

“These experiences were pivotal in sparking my interest in the arts,” he tells CULTURED. “I was introduced to iconic artists like Marc Chagall and the sculptural works of Alexander Archipenko, which laid the foundation for my family’s collection.” In the latest edition of our Collector Questionnaire, Lis gives us an inside look at the pieces he’s hung in his enviable New York home, and advice for other young collectors looking to dive headfirst into the art world.

Which work in your collection provokes the most conversation with visitors?

One piece that consistently sparks conversation is Gringo Pilot (Anola Gay), 1981, which depicts the aircraft that dropped the first atomic bomb on Hiroshima during World War II. It was part of the Jean-Michel Basquiat Fondation Louis Vuitton exhibition in Paris [in 2018-19]. The historical weight and profound symbolism behind the piece never fail to engage visitors in deep discussions, making it one of the most thought-provoking works in [my family’s] collection.

Which artist excites you most at the moment, and why?

Currently, I am captivated by the works of Cy Twombly. His calm and meditative approach to expression resonates with me, particularly in contrast to the often chaotic nature of modern life. His ability to convey emotion and narrative through abstract forms offers a tranquil, introspective experience. Additionally, I continue to be fascinated by Basquiat’s raw energy and his unique approach to painting on paper. His art speaks to a constant push against societal norms, and I admire how he merges music, visual art, and urban culture into a compelling, chaotic rhythm.

What has been the most challenging piece to acquire in your collection?

A Nurse Involved, 2002, by Richard Prince. Its significance within the contemporary art world made it an essential part of our collection.

Who or what has had the most significant influence on fostering your passion for art?

Without a doubt, my father [real estate developer Harry Lis] has been the most influential person in nurturing my passion for art. He has an impeccable eye for artists he believes in, and his fearless approach to acquiring works he genuinely connects with has shaped my own perspective on collecting and in other artistic ventures, encouraging me to pursue a career in music and open my own studio. His advice to trust one’s instincts and to invest in art that resonates personally has been instrumental.

How has your collection evolved as your home and space have changed?

It has grown eclectic in nature, blending both old world and contemporary influences. My father is from Germany, and his background, with a connection to artists like Max Beckmann, Schiller, Max Ernst, and Sigmar Polke has influenced many of the older pieces in our collection. Meanwhile, more recent additions such as Christopher Wool reflect a balance between classic European movements and emerging contemporary artists. I grew up playing and listening to music surrounded by these paintings, and I like to think about how the influences of our diverse collection have refined my taste as a musician and curator.

Do you collect anything outside of art?

Yes, I have a particular interest in vinyl records and sculptures. Music has always played a central role in my life, and I appreciate how records not only hold cultural significance but also carry a visual and tactile quality that resonates with me. Additionally, we collect sculptures, particularly the works of Louise Bourgeois.

What advice would you offer to someone interested in starting an art collection?

To trust your intuition. Developing an eye for new talent takes time, but it’s essential to buy art that resonates with you on a personal level. Don’t be afraid to step outside your comfort zone and explore works that challenge your understanding of art. Developing a collection is not just about acquiring pieces but about cultivating a connection with the work and its artist. I take a similar approach working with musicians. So much of it is connecting with an artist and feeling that initial connection.

​