Since joining the museum, the MET Director and CEO has overseen over 100 exhibitions that have pushed the legacy institution into the new century, as well as the construction of a forthcoming Tang Wing for Modern and Contemporary Art.
WHAT’S COMING UP FOR YOU IN 2025?
Forty-three Met exhibition openings, four galas, one opening of a new wing, and travel to India, Peru, Japan, France, China, Korea, and a sleepy backwater village in upper Austria for our annual three-week family summer vacation.
WHAT’S ONE BOOK, WORK OF ART, OR FILM THAT GOT YOU THROUGH AN IMPORTANT MOMENT IN YOUR LIFE? I have been very interested in alternative, post-punk, and noise rock for years. [As a teenager, I] went to every concert of the Wire, Hüsker Dü, the Sugarcubes, the Fall, Black Flag, Toy Dolls, and the like that I could. It was an important part of growing up.
WHAT’S SOMETHING PEOPLE GET WRONG ABOUT YOU?
I might come across as reserved, calculating, and managerial, but am actually quite impulsive and value creativity, risk, and challenge above all.
“During my first-ever visit to the Venice Biennale with my parents as a 3-year-old, I fell into the Grand Canal and a gondolier had to fish me out of
the water.”
NAME AN INFLUENCE OF YOURS THAT MIGHT SURPRISE PEOPLE.
Many people make a direct connection between me and my father—the Pritzker Prize–winning, museum-building avant-garde architect. But it was really my mother, with her sensitivity, empathy, openness, and care, who has had the most profound influence on who I am.
WHEN YOU WERE LITTLE, WHAT WERE YOU KNOWN FOR? During my first-ever visit to the Venice Biennale with my parents as a 3-year-old, I fell into the Grand Canal and a gondolier had to fish me out of the water. He called me “Massimo Terribile” and my parents did the same for years after.
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